Analyzing a Painting with a Black Man

(Artist: Austin George Dorgu; Over the Horizon, 2023)

behind his back

wrists bend toward each other

as if sentencing himself

without cuffs

(just confidence of the reprimanding of society’s hand)

he questions his lifelines,

like he knows trailing through life 

overgrown cornrows, and black skin against a white sky is wrong—

or 

maybe he tucks them behind himself because he got fields of self to hide,

inches of words he keeps 

tucked in the sharp of his teeth, beneath shut lips

centimeters of tears that leave only when wiped with a fist

he knows to be man, you must brushstroke in bold—with not a goosebump to show—

torso stout 

with blue stoic shades

to match

you cannot let them see the breaking 

or the growing of a man 

they want you finished product.

black Man who prevails all,

tells all—

or maybe your black Man turned cautionary tale,

a deprecating sitcom

(it’s better you keep your mouth stoic,

an expressionless blackface)

play—still silhouette on canvas

while they try to make up 

what you mean?

what it means to be

 man, and 

Black, and

 color —at the same time

what it means to be the world’s fury and beauty

contradictions make them uneasy

the history paints him dark but they see the halo ushering the glow beneath his skin,

they ask which is it?

8th wonder of the world

who beat the odds or a Emmett Till,

Vigil Ware, 

or simply

a midnight-walking-street-terror

what does a black Man mean if it’s not fear 

and story—

if it’s not a tapestry of multicolored narratives

why 

does

 a black man

have to mean

anything

J.H. Lynn

I love finding artwork from different artists that best fit my poems and responding to artwork and creating ekphrastic poems. Please support all the artists gracious enough to permit me to use their works. (All of my poems fall under the copy right fair use law). Instagram: @j.h.lynn Twitter: @sftpoesy